Pure World of Dance Season 2, Week 7 (Qualifiers) – Music from Tonight’s Show

Here it is – the music from tonight’s episode, in chronological order. I’ve included a description of when in the episode it played in parentheses.

“I Like the Way” by Bodyrockers (intro)

“Do It Like This” by Daphne Willis (Cubcakes Dance Crew intro)

“Swalla (Jetfire Trap Remix)” by Jason Derulo (Cubcakes Dance Crew performance)

“Only One” by Sigala & Digital Farm Animals (Cubcakes Dance Crew scores)

“Hall of Fame” by The Script feat. will.i.am (Luka & Jenalyn intro)

“Down” by Marian Hill (Luka & Jenalyn performance)

“Don’t Let Me Down” by The Chainsmokers (Luka & Jenalyn scores)

“25 Or 6 To 4” by Chicago (The JaM Project performance)

“Fire And The Flood” by Vance Joy (The JaM Project scores)

“Issues” by Julia Michaels (marInspired performance)

“There’s Nothing Holdin’ Me Back” by Shawn Mendes (marInspired scores)

“Dusk Till Dawn” by ZAYN feat. Sia (Alisa & Joseph intro)

“Stand By Me” by Ben E. King (Alisa & Joseph performance)

“Cecilia & The Satellite” by Andrew McMahon In The Wilderness (Alisa & Joseph scores)

“Because of You” by Ne-Yo (The Gentlemen intro & scores)

“Another Love Song” by Ne-Yo (The Gentlemen performance)

“Unforgettable” by French Montana feat. Swae Lee (Dragon House intro & performance)

“Glorious” by Macklemore feat. Skylar Grey (Dragon House scores)

“Bang Bang” by Jessie J & Ariana Grande & Nicki Minaj (Quad Squad intro)

“Sorry Not Sorry” by Demi Lovato (Quad Squad performance)

“Golden Youth” by Leroy Styles feat. Anjulie (Quad Squad scores)

July 17, 2018 I Written By

Medical device sales by day, reality TV blogger by night. Makeup artist, baker, hair model, and wannabe DIY-er when time permits, and a potty-mouth 24/7. Read more of me at puredwts.com, and follow me on Twitter & Instagram: @putuincespence

Pure World of Dance Season 2, Week 6 (Qualifiers) – Music from Tonight’s Show

Here it is – the music from tonight’s episode, in chronological order. I’ve included a description of when in the episode it played in parentheses.

“Move Your Body” by Sia (intro)

“Start Over” by Imagine Dragons (DNA intro)

“O Fortuna/Fortuna Plango Vulnera” by Carl Orff (DNA performance)

“Feel Again” by OneRepublic (DNA scores)

“Game Time” by Flor Rida feat. Sage the Gemini (Brotherhood intro)

“Run It!” by Chris Brown (Brotherhood performance)

“Walking the Wire” by Imagine Dragons (Brotherhood scores)

“Wrecking Ball” by Miley Cyrus (Vivian Ruiz intro)

“You Don’t Do It For Me Anymore” by Demi Lovato (Vivian Ruiz performance)

“Thunder” by Leona Lewis (Vivian Ruiz scores)

“Grown” by Little Mix (The Untouchables intro)

“Instruction (Live)” by Jax Jones (The Untouchables performance)

“Cut To The Feeling” by Carly Rae Jepsen (The Untouchables scores)

“Bang Bang” by Will.I.Am (st kingz performance)

“Get It Right” by Diplo feat. MØ (st kingz scores)

“Kiss the Sky” by Jason Derulo (Ashley & Zack intro)

“Versace on the Floor” by Bruno Mars (Ashley & Zack performance)

“Call on Me (Ryan Riback Remix)” by Starley (Ashley & Zack scores)

“Unbroken” by Birdy (The Rock Company intro)

“Imagine” by Emeli Sandé (The Rock Company intro)

“Anything’s Possible” by Lea Michele (The Rock Company scores)

July 10, 2018 I Written By

Medical device sales by day, reality TV blogger by night. Makeup artist, baker, hair model, and wannabe DIY-er when time permits, and a potty-mouth 24/7. Read more of me at puredwts.com, and follow me on Twitter & Instagram: @putuincespence

Pure World of Dance, Season 2, Week 6 – WE’RE ON VACAY!!! :-)

In light of the Fourth of the July holiday tomorrow here in the States, and the fact that it has been ungodly hot and Heidi, Vogue, and myself are just kinda drained, we’ve opted to take this week off from our usual posting – we’ll be back next week with our regularly-scheduled programming, and depending on my homework load (I’ve gone back to school, on top of still doing my 9-5 AND blogging), I may post the music and a brief commentary over the weekend.  Maybe 😉


July 3, 2018 I Written By

Medical device sales by day, reality TV blogger by night. Makeup artist, baker, hair model, and wannabe DIY-er when time permits, and a potty-mouth 24/7. Read more of me at puredwts.com, and follow me on Twitter & Instagram: @putuincespence

Pure World of Dance, Season 2, Week 5 (Qualifiers) – Court’s Thoughts: The Good, The Bad, & the WTF???

So this week was supposed to be “a very special episode” of WOD…why? Because someone got injured right before they were due to go onstage? Sorry, but I wasn’t feeling the alleged mushiness that the “very special episode” description we got last week implied.  But we did get some good acts, and saw quite a few familiar faces this week – namely Rudy Abreu (the leader of Embodiment) and Audrey Case & Will Thomas (from Royal Flux), who are all SYTYCD alums. No doubt this show has definitely brought a few dancers we’ve forgotten about over the years back to the forefront of our minds 😉 Not a whole lot else to add, so shall we get to it?

This is What Happens When You Do Too Much of A Good Thing: Royal Flux. I’ll say this: generally, I enjoy Royal Flux and what their style of dance is. We only saw them pretty briefly last season (no qualifier performance shown, and I don’t even know that they got a full-length intro in the duels), but I went back and read what I had to say about them and it was neutral-to-positive. Here’s my concern: their routines tend more towards the DNA end of the spectrum – meaning they toe the line between and an above-average amount of content and wayyyyy too much content. They’re doing really cool lifts and tricks – but there is just SO MUCH going on onstage at any given time that it can get a bit hard to absorb and appreciate everything they’re doing. And part of me thinks that may have contributed to their teammate (who Justin on Twitter pointed out to me is Audrey Case from season 9 of SYTYCD – I thought she looked familiar!) getting injured while practicing – they are just going full-tilt, trying to do more and more interesting and complicated lifts and tricks that eventually, something has to give.  I’d like to see them pare down some of what is going on onstage at any given time, and maybe have those in the background stick to simpler steps in order to keep the focus on those doing the complex stuff.  They’re about 50/50 for me headed into the duels – I think their success is largely going to depend on who they’re pitted against: I think they lose if they’re put up against an act that’s very clean and fleshed-out like Fabulous Sisters, but they might be able to beat a less-realized act like Expressenz.

100% Skill, 0% Personality: Freshh. I’m not sure I’ve seen an act on this show yet that was so fully engaged and skilled in their performance – but had such a poker face about it, to the point that it felt a bit robotic.  I mean, these guys were doing some pretty intricate stuff, IN PERFECT SYNCHRONIZATION, but judging from the looks on their faces, they may as well have been doing the multiplication tables in their heads.  Yes, their faces were moving – but it somehow felt…rehearsed? Like they were used to not doing ANYTHING AT ALL, facially, and were forcing themselves to do SOMETHING to make the whole things seem more…human? I dunno…I’m just left with a really strange vibe from this group.  They’re fantastic, but there’s a peculiar hollowness to their performance that I’m having a hard time putting into words.  They’re another group that I’m on the fence about headed into the duels – depending on who they’re pitted against, they could advance or they could get bumped out.  Strange.

Eva Igo, Slightly Remixed?: Madison Brown. Oh, awesome…another teenage-ish female contemporary dancer. Perhaps I’ve just soured so much on Eva that any contemporary act in general kinda makes me yawn, but Madison just felt like a slightly tweaked Eva with slightly different packaging. I will commend Madison on having much better musicality than Eva, and more of a tendency to move with intent and understanding behind the choreography; whereas Eva tends to give more of an impression of just going through the motions and not being particularly connected to the music or choreo. But at the end of the day – are they really that different or special in what they do? Flex, flail, repeat – my guess is that they’ll pit them against one another in the duel, and we might get a surprise shock elim of Eva.

Rudy!…Rudy!…Ruuuuuuudy!: Embodiment. It’s good to see Rudy really coming into his own as a choreographer 🙂 I remember watching him on SYTYCD, and he seemed like he was often overlooked in favor of the more conventionally attractive male contestants, despite the fact that Rudy was impressively cross-trained – he specialized in contemporary, but had training in salsa/ballroom (with Manny Castro, no less) and seemed to fare pretty well in hip-hop as well. I know he did a stint on Derek & Julianne’s tour, and as he mentioned on WOD last night, he’s also been dancing in J-Lo’s Vegas residency. So for him to finally step out in front and choreograph, after being a backup dancer for awhile? That’s pretty impressive, and I daresay it was a pretty admirable effort for a first-timer – loved that there seemed to be two guys doing a pas-des-deux in the middle while the group danced around them; loved that everyone was very in-sync; also loved that it was a very edgy performance with a lot of musicality. And I’m going to disagree slightly with J. Lo with regards to Rudy’s ambitions for doing the show – I don’t think any act HAS to win in order to “get hired” or benefit professionally from the show.  Would winning improve their chances? Maybe, but I think the best thing this show has to offer is exposure – so I’m right on board with Rudy’s ambition to do well on the show, but have it be more about personal growth rather than being 100% eyes-on-the-prize.  I think this group could go far this season, though, if they can continue to switch up their routines week to week.

Cognitive Dissonance On Fleek: Marissa & the Heartbreakers. Like Heidi, I’m generally not a fan of “hairography” – anyone that has followed us over at PureDWTS knows how we groan and shake our heads whenever the female pros are reduced to Beyonce-esque hair-flipping and mugging to the camera while the male pros get to do really athletic, impressive choreo that really shows off their skills. So normally, what Marissa & the Heartbreakers (the name is pretty cringe-y, while I’m at it) did would not be my cup of tea.  HOWEVER – I am actually familiar with Marissa and have seen her dancing in some of of Yanis Marshall’s (a fairly well-known choreographer from Britain’s Got Talent who has become known for “heels” choreography) YouTube videos, and I will say that the girl can DANCE.  Additionally, “heels” is becoming a more well-known and well-appreciated choreography style these days, and I have a definite appreciation for the difficulty of it. It may not look like much, because heels do impose some limitations to the type of movements that can be done (gymnastic tricks are pretty much out, and balance/flexibility tricks like extended legs tend to be risky), but the fact that these girls can still turn and and spin and stretch in those shoes is pretty remarkable.  So I’m left somewhat torn on this act – part of me really appreciates the difficulty of what they do, and part of me is also “This isn’t competitive enough for this show.” I will agree with Derek that they need to come up with some more dynamic ways to fill time in their routine, aside from just sexily walking from spot to spot. My gut feeling is that they probably won’t make it past the duels – but I do think what they do is valid, and maybe just not super-compatible with this competition.

Cool In Theory, Maybe Not So Much in Practice: Silverbeat. I feel like I’m beating a dead horse by saying this again, but this is yet another act that I think was probably sought out by producers and enticed into trying out to fulfill the “we truly are the biggest dance competition in the world!” quota that seems to be getting emphasized more this season; and they perhaps weren’t necessarily a great fit for the show, but that doesn’t invalidate the importance and skill of what they do. I thought they had great energy, and loved how unique the moves were; however, the dance vocabulary just wasn’t there, relative to other acts.  But I’m glad we got to see them, and I hope the show is good exposure for the great work they’re doing 🙂

Derek & Aneta Jr: Daniel & Mishella. How they managed to find mini-Derek is beyond me 😛 And they managed to find a little girl that at least bore a passing resemblance to Derek’s old partner, too! Loved their spunk and their stage presence, but I do agree with whichever judge (Ne-Yo, maybe?) pointed out that they needed to clean up some of their steps and up the ante a bit – and I agree, although I do think they may just be a tad limited by their age.  Part of me worries that they’re going to end up pitted against an older ballroom couple (namely Jonas & Ruby, who are leaps and bounds ahead of them in age and skill) and they’re just going to get trounced and heartbroken, but who knows. I don’t know that I see them lasting past the duels…


June 27, 2018 I Written By

Medical device sales by day, reality TV blogger by night. Makeup artist, baker, hair model, and wannabe DIY-er when time permits, and a potty-mouth 24/7. Read more of me at puredwts.com, and follow me on Twitter & Instagram: @putuincespence

Pure World of Dance Season 2, Week 5 (Qualifiers) – Music from Tonight’s Show

Here it is – the music from tonight’s episode, in chronological order. I’ve included a description of when in the episode it played in parentheses.

“Champion” by Fallout Boy (intro)

“Tip Toe” by Jason Derulo feat. French Montana (judges intro)

“My Way” by Calvin Harris (Embodiment intro)

“Believer” by Imagine Dragons (Embodiment performance)

“One More Light (Steve Aoki Chester Forever Remix” by Linkin Park (Embodiment scores)

“I’m Ready” by AJR (Daniel & Mishella intro)

“Runaway Baby” by Bruno Mars (Daniel & Mishella performance)

“I Want Candy (Remix)” by Aaron Carter (Daniel & Mishella scores)

“Love Myself” by Hailee Steinfeld (Marissa & the Heartbreakers intro)

“Love So Soft (Cash Cash Remix)” by Kelly Clarkson (Marissa & the Heartbreakers performance)

“Woman” by Ke$ha feat. The Dap-Kings Horns (Marissa & the Heartbreakers scores)

“Rise Up” by Andra Day (Madison Brown intro)

“The Fire” by Bishop Briggs (Madison Brown performance)

“Just Like Fire” by P!nk (Madison Brown scores)

“Its Like That (Original Mix)” by Dusty Tonez (Freshh performance)

“Once In A While” by Timeflies (Freshh scores)

“Recebe (Afro House)” by Gaia Beat (Silverbeat performance)

“The Ocean” by Mike Perry feat. Shy Martin (Silverbeat scores)

“Don’t You Cry For Me” by Cobi (Royal Flux performance)

“I Am Here” by P!nk (Royal Flux scores)

June 26, 2018 I Written By

Medical device sales by day, reality TV blogger by night. Makeup artist, baker, hair model, and wannabe DIY-er when time permits, and a potty-mouth 24/7. Read more of me at puredwts.com, and follow me on Twitter & Instagram: @putuincespence

Pure World of Dance, Season 2, Week 4 (Qualifiers) – Court’s Thoughts: The Good, The Bad, & the WTF???

So I know you already heard my thoughts this week in the live blog, but in the interest of consistency (and me rewatching the show and perhaps changing my opinion on an act or two), I thought I would stick with my weekly recap 🙂 I apologize for any redundancy – gonna try and keep this as fresh as I can!

I was thankful that last night was an improvement upon last week’s rather low-energy episode, but if there’s one thing it got me really thinking about, it was this: WE DO NOT NEED TO SEE EVA IGO AGAIN.  Yes, she is a great dancer; but she already made it to the division final last season, and ended up as runner-up in the whole thing; I do not think she has grown much as a dancer since last year, and really – are they gonna send Eva home early this year? How will that look? Last season’s runner-up ousted before the finale? Not a good look.  But also not a good look? Her winning the whole damn thing, as a consolation for last season.  I guess I’m just of the opinion now that, if you made it to the finale on WOD, YOU SHOULDN’T BE ALLOWED TO COME BACK (unless you’re part of a different act in a different division – although I even have some reservations about that, too).  If you make it to the live shows on SYTYCD and don’t win, you don’t get to come back again; same rule for AGT – you wanna come back after making the live shows one season? Figure out a way to retool your act, a la Manny Castro and the many ways he managed to get his kids coming back to AGT season after season (Miami All-Stars, The Untouchables, D’Angelo & Amanda, Ruby & Jonas, etc.) Sorry Eva fans – I think I’m gonna have a tough time with her this season.

Sibling Rivalry Has an Upside: Jonas & Ruby. Probably the one act I was really looking forward to seeing, given that I was such a big fan of D’Angelo & Amanda, and I think Ruby has eclipsed her brother in terms of talent. I also think Jonas is a stronger partner to Ruby than Amanda was to D’Angelo (apparently they aren’t even dancing together anymore), and I’m gonna guess that Manny has probably honed in a bit more on the formula for successful choreography on WOD (The Untouchables are also on WOD this season, and apparently D’Angelo is in it – we’ll see if they can make it further than the duels this time). I will say that I wish Manny would tone down the flexibility displays a bit (one bendy leg trick per dance is plenty) and they probably need to pare down their costumes somewhat, but I do think there’s a lot of talent to work with here – Ruby’s a little firecracker, and if I can’t have her as a pro on DWTSJ, I’m fine having her here.

I Dunno What a Brada Is But It’s Good Sh*t: The Bradas. Probably the most impressed I’ve been with a hip-hop crew since S-Rank – just clean, unique, athletic, and with a ton of showmanship.  Loved that they had a bit of a storyline to their dance, and kept finding interesting ways to incorporate the bag into it.  Not much else to add, other than “Watch out, Ruggeds & Connection!”

There’s Still a Place For Pretty Dances (And Leg Weights) In This Competition: Expressenz. First of all, big ups to the first act from my home state on WOD 🙂 We may not be cranking out champions like Utah, California, or New York, but we still have some talent in the Hoosier state! I’ll admit – this routine was a tad pageant-y/recital-y.  The girls’ makeup was flawless, they had those perfectly tailored & bedazzled leotards, flesh-colored tights…the works.  And they were dancing to a country song, which I generally find a tad cringe-y.  But FWIW, they more than made up for it with their technique – never have I seen turn sequences done in such perfect synchronicity.  Even experienced teams usually have their girls a bit staggered on their turns after 1 or 2 – but this group? I can only imagine the precision & focus that got drilled into them to stay completely in sync on those turns. I think they have the potential to be very competitive – IF they can up their choreography to something more edgy and unique.  Right now my gut is telling me they’ll end up in a duel with the Fabulous Sisters.

Please Don’t Let This Be Les Twins, Part Deux: Eva Igo. Obviously not in the physical sense (Eva’s a 15-year-old white girl from Minnesota; Les Twins are 20-something men of color from France), but more in the “I hope they haven’t predetermined this to be ‘Eva’s season’ to make up for her being runner-up last year” sense. The thing I disliked most about last season is that that Les Twins appeared to have it in the bag from week 1 – and they basically just slightly tweaked the same routine each week, to rave reviews from the judges.  There was never a point where I didn’t think they would win. And while I certainly preferred Eva to Les Twins last season, I’m afraid this season, it just feels like more of the same from Eva (gymnastics, flailing, displays of flexibility) – and the judges are eating it up, and giving me that same sinking feeling I had whenever I saw the judges gushing about Les Twins: that this season’s winner had already been determined. However, I did get a few small glimmers of hope: one, the judges did seem to allude to her “being so good that it might get hard to top what she’s already done” and “the competition being a lot tougher this season”; two, she did only end up with an average score of 95, which has been bested by four other qualifying acts thus far – two of which are in her division (Charity & Andres and Sean & Kaycee). I guess time will tell if this season has been earmarked for her or not…

Maybe 8 Years Doesn’t Age You Like Fine Wine: Poreotics. This was one of the acts that I liked upon first viewing, then kinda went “ok, some of the weaknesses are showing” upon a second viewing.  I remember absolutely LOVING the Poreotics that ended up winning ABDC back in 2010 – all of their routines were so sharp, yet humorous and unique.  Just so FUN to watch – and while they still are fun, I feel like they’ve maybe lost a little bit of that energy that made them so appealing 8 years ago. Granted, they did mention that some of them had “left the group and gotten ‘real’ jobs” and they only decided to reunite after seeing Jabbawockeez on WOD last season; if it’s anything like other crews that have “gotten the band back together” to do WOD, the result often seems like a shadow of their former success (Miami All-Stars comes to mind – we’ll see if Manny can get The Untouchables further this season). They did have some fun moments that nodded to the stuff that originally made them popular – the card trick, the glasses, the fact that they were amalgamating several different styles (robotics, popping, vogueing, waaking, some b-boying); but there did seem to be some slow sections that made me disengage a bit.  Like Pasha & Daniela, they might need to work on giving more content.  I’m already predicting a 3-way duel between Poreotics, Elektro Botz, & Dragon House.

Shy Kid By Day, Monster On The Stage: Lucas Marinetto. So we basically have this season’s answer to Kyle Van Newkirk – and I will say that I think he may actually be a bit better than Kyle 🙂 Something about the way this kid goes from somewhat shy and awkward when he’s not onstage, to absolute beast mode when he’s dancing is appealing – you can tell that dancing is where he truly feels like he can be himself, and it’s joyous.  I appreciated that he has great musicality – he did not waste a single beat of that music, although I do agree with Derek a little bit that it would have been nice to have a section of him dancing without music so we could really appreciate what he was doing. I just hope they don’t pit this poor, smol bebe up against someone like Eva Igo in the duels, a la Kyle vs. Les Twins last season – that was just painful.


June 20, 2018 I Written By

Medical device sales by day, reality TV blogger by night. Makeup artist, baker, hair model, and wannabe DIY-er when time permits, and a potty-mouth 24/7. Read more of me at puredwts.com, and follow me on Twitter & Instagram: @putuincespence

Pure World of Dance Season 2, Week 4 (Qualifiers) – Music from Tonight’s Show

Here it is – the music from tonight’s episode, in chronological order. I’ve included a description of when in the episode it played in parentheses.

“Born Ready” by Zayde Wolf (intro)
“The Middle” by Maren Morris (judges intro)
“The Devil You Know” by X Ambassadors (Jonas & Ruby intro)
“Legend” by The Score (Jonas & Ruby performance)
“Brand New” by Ben Rector (Jonas & Ruby scores)
“Roots” by Imagine Dragons (The Bradas intro)
“I Mean It (Remix)” by G-Eazy feat. Rick Ross & Remo (The Bradas performance)
“Can’t Hold Us” by Macklemore & Ryan Lewis feat. Ray Dalton (The Bradas scores)
“Believer” by American Authors (Lucas Marinetto intro)
“Stand In The Light” by Jordan Smith (Lucas Marinetto intro)
“Levels (Alex Ghenea Extended Remix)” by Nick Jonas (Lucas Marinetto performance)
“Hold Back The River” by James Bay (Lucas Marinetto scores)
“Something In The Water” by Carrie Underwood (Expressenz performance & scores)
“Where Are Ü Now” by Skrillex & Diplo with Justin Bieber (Poreotics intro)
“Trndsttr (Lucian Remix)” by Black Coast feat. M. Maggie (Poreotics performance)
“Five More Hours” by Chris Brown & Deorro (Poreotics scores)
“Burn” by Ellie Goulding (Eva Igo intro)
“I Ran (So Far Away; Epic Trailer Version)” by Hidden Citizens (Eva Igo performance)
“Stargazing” by Kygo feat. Justin Jesso (Eva Igo scores)

June 19, 2018 I Written By

Medical device sales by day, reality TV blogger by night. Makeup artist, baker, hair model, and wannabe DIY-er when time permits, and a potty-mouth 24/7. Read more of me at puredwts.com, and follow me on Twitter & Instagram: @putuincespence

World of Dance Season 2! WEEK 4 Live Blog!!

Heidi’s currently eating gumbo in New Orleans, so you guys get me (Court) tonight.  Bear with me as I blog, I’m used to being able to move a bit slow and just focus on the music on first viewing – so I might be a bit behind the live broadcast.  And I reserve the right to change my mind upon a 2nd viewing of these acts – there’s already been acts that I wasn’t wild about at first, but warmed up to later (Desi Hoppers) and acts I like initially but didn’t stand up to the test of time (Hilty & Bosch).

Pre-show thoughts: I’m excited to see Jonas & Ruby, who are apparently in this qualifier.  In a lot of ways, I think Ruby’s star shines a bit brighter than big brother D’Angelo’s anymore – sometimes, I think being a younger sibling that lives in the shadow of a popular older sibling can motivate kids to really push hard. I’m less enthused that Eva Igo is back – aside from my aforementioned disdain for flaily contemporary, I’m going to be pretty bored if she makes the finals again, unless she’s really taken this past year as an opportunity to grow and expand her repertoire.

First up is Jonas & Ruby.  Yasssssss 🙂

Jonas looks so much like my ex. And his name is nearly identical.

My god Ruby is such a little firecracker.   And Jonas has really come into his own.  Both of them have GREAT feet.

I kinda see what Derek is talking about with the costumes – especially the cloth on Ruby’s costume.  Kept waiting for Jonas to rip & off and do something big with it and…nothing. Chekov’s gun of dancing – don’t show me an extraneous skirt at the beginning of the dance if you aren’t going to use it by the end.

They get 85, 87, & 82 (Ne-Yo, J-Lo, Derek) for an average of 84.7 and we’ll see them in the duels.  Derek of course mentions “a ballroom couple we had last year that came out strong in the qualifier but kinda fell flat in the duels” and of course he’s referring to D’Angelo & Amanda, which Ruby points out.  Luckily, at this point, I think she’s so used to being compared to him that she shakes it off and promises to come back stronger. And I think they likely will fare better than her brother & Amanda 😉

Next up is Bradas – a hip-hop crew from New Zealand. “Brada” is kiwi slang for “brother”.  Hopefully they’re more organized than the crew from last week from the Netherlands…Ragged?

Holy crap these guys are good – so many moving parts to this routine.  They’re flipping, they’re sliding, and they’ve got this cool bank robber narrative going. They were everything that crew from last week wanted to be, but fell short on. Contender alert!

They get 85, 92, 86 for average of 87.7 and they’re headed to the duels.  I could see them getting pitted against The Ruggeds (they’ll probably spin it as an international battle) and just SLAYING.

Now we’ve got Lucas Marinetto, who is a 14-year-old tap dancer from New Orleans. (I think…I don’t know how Heidi does this, so many details to remember!) Lucas’ dad apparently didn’t always approve off his dancing, which created a rift between them that looks like it only recently healed.  Awwww.

Errr, oops – he’s from Leesburg, VA.  My bad. And he’s incredibly charismatic and dancing his ass off.  Great musicality.  He might be a bit better than Kyle from last season, even.

J-Lo is right – he really is a showman.  Poor kid seems so reserved & shy when he’s just talking, but he comes ALIVE onstage.

He gets 82, 84, & 82, for an average of 82.7.  Ne-Yo says “You’re going to the duels, you know what a duel is, right? SOMEBODY IS TRYING TO TAKE YOUR MONEY!” Lucas: “So just like school, then.” I like this kid 😉

Next up is contemporary group Expressenz from my hometown of Indianapolis. They train with weights on their legs.  HARD CORE.

Those were quite possibly the most synchronized turning sections I’ve ever seen.  It was like watching 8 clones dancing, that in-sync.

I can see what Ne-Yo & Derek are saying – the routine did feel a bit “studio recital-y”, but I agree with J-Lo that there is still room for those feel-good, pretty dances in this competition.

84, 90, 87 – they’re headed through.  I hope their choreographer can pull out something edgy – I have a gut feeling we’ll see them pitted against the Fabulous Sisters.

Now we’ve got Poreotics, who won ABDC several years ago.  And some of them stop dancing and got “real jobs”, but saw Jabbawockeez dancing last season so they decided to get the band back together again to try out.

They are doing their usual robotics, and it’s humorous and very animated – then they threw in a vogueing and waacking section and I fell in love.

Derek & Ne-Yo are kinda going in a bit hard on them –  I actually found the whole thing was pretty inventive and detailed, but Derek & Ne-Yo seemed a tad bored by it.  Luckily J-Lo is on my side with this one and loved it.

87, 90, 87 – Derek & Ne-Yo kind of sharing a brain tonight. I could see Poreotics ending up in a 3-way duel with Elektro Botz & Dragon House (another group of animators that we haven’t seen yet).

I see that they’ve saved Eva Igo for last…*sigh* *shaking head*

She’s wearing a shredded dress perfect for angsty contemporary, and doing a bunch of flexibility tricks backstage.  I’m not optimistic.

She’s flipping.  She’s pulling her leg over her head.  She’s flailing.  There she goes pulling her leg up again.  Angsty face.  Angsty face. Another acrobatic trick. Sorry….really not feeling this.  It’s nothing new or different.

But the judges are gushing and I have a feeling we may see the first perfect 100 average of WOD.  God I hope they aren’t setting this up to be “Eva’s season”.

96, 95, 94 – average of 95.  She isn’t able to best Karen y Ricardo’s score, but it’s close. Ugh.

Oh boy – they’re billing next week as “a very special episode”.  Dare I ask…?

I Written By

Medical device sales by day, reality TV blogger by night. Makeup artist, baker, hair model, and wannabe DIY-er when time permits, and a potty-mouth 24/7. Read more of me at puredwts.com, and follow me on Twitter & Instagram: @putuincespence

Pure World of Dance, Season 2, Week 3 (Qualifiers) – Court’s Thoughts: The Good, The Bad, & the WTF???

I apologize for the tardiness of this review – due to tornadoes in my viewing area on Tuesday night (not where I live, but in my viewing radius), my NBC affiliate preempted WOD in favor of weather coverage, so I had to wait until Wednesday to watch the show on Hulu and do both the music and this little review.  Additionally, I’m still adjusting to a migraine medication that is making me very, VERY drowsy and a tad cranky, so I apologize if this review is less than sunshine-y…then again, I found the acts in this week’s episode to be a bit lackluster on the whole, so I’m not sure I’d really be honest if I put a hugely positive spin on this week’s show.  Seems like they may have aligned some of the less-stellar acts this week with what will probably amount to a bit of a dip in ratings that shows typically experience 3-4 episodes into each season, before picking back up midway through; then again, maybe this wasn’t intentional, and the way this particular group of acts cobbled together just fit nicely with the storyline and that’s why we ended up with a preponderance of okayish acts all in one episode. Either way – I’m not sure we see the majority of these acts lasting through the duels, save for maybe one or two having a huge breakthrough…

The Lab, Lite: Rascals. Had I not been dazzled by The Lab last week (and last season), I probably would have had a lot more of a glowing review of this group – but unfortunately, up against The Lab, Rascals have the heart, but not the polish. The Rascals weren’t bad, per se; I just found myself comparing everything they did to The Lab, and Rascals paled in comparison in nearly every aspect: the cleanliness, the staging, the choreography, the execution. I’d stake money on it that they get pitted against The Lab in the duels, and just absolutely blown out of the water…which sucks, because I get the feeling Rascals are the less-privileged group just trying to keep up with the Joneses, and probably work every bit as hard as The Lab. This is the sad side of the Junior division – seeing kids get disappointed.

Charity & Andres meet Sean & Kaycee – with an edge: Josh & Taylor. Probably the only act this week that I thought was anything worth sneezing at – and I’m not even entirely sold on them being a contender, just based on other similar acts we already have in the lineup for the duels.  I thought Josh & Taylor were the best of both worlds of Charity & Andres and Sean & Kaycee – they had the polish of the former, with the edge of the latter, and the whole performance was very edgy and cool.  The only problem I have is that they may actually be too “cool”, and I could see the judges (Jennifer in particular) gravitating more towards the contemporary angst of Sean & Kaycee or the romanticism of Charity & Andres. I’m hoping Josh & Taylor have something completely different up their sleeve for the duels, because if they can prove that they’re versatile, I could see them ousting one of the other two couples I mentioned…possibly Sean & Kaycee…?

I Thought Hilty & Bosch Were Already Eliminated…?: Lock N Lol. I’ll admit, I thought this group was a ton of fun and I was thoroughly entertained – but the difficulty level just wasn’t really there, though I will commend them on being really, really clean and tight on their synchronization, and I enjoyed the creativity with the costume changes. Unfortunately, they just felt like a remix of Hilty & Bosch – just a slightly larger group, with the same token “look, we really are ‘World of Dance’ – we have dancers from all over the world!!!” explanation for why they’re there, even though they unfortunately probably don’t stand a chance in this competition.  I think they’re probably going to get their asses handed to them in the duels.

Not Really A Fair Fight: LD Dance Company. This is one of those acts that I feel a bit sorry for, because I feel like they were probably lured into trying out for this competition, so WOD can claim to be diverse, but they really never stood a chance of ever being successful on this show simply because what they do is not what WOD is looking for.  There is absolutely nothing wrong with what they do – I actually have a tremendous amount of respect for traditional Brazilian samba (my stepmother trained in it from age 6-24) because it’s deceptively easy-looking, but actually involves a huge amount of technique; but I feel like the skill of it is unfortunately lost on most Americans, as most only see the bright, sparkly costumes and booty-shaking. I will give Ne-Yo a free pass, as he is the least technically-learned judge and probably doesn’t know enough about it, but I feel like Derek & Jennifer should have known a bit better, and at least thrown in something to the extent of “I wish America knew how tough samba is, what you did is actually very difficult!!!” before dismissing it as “just not enough diversity in the steps to be competitive on this show.” If there’s one respect in which I feel this show falls short, it’s educating the masses on various styles of dance – too often I see lesser-known styles reduced to “Eh, there’s just not enough there to be competitive” rather than actually making an effort to say “Sure, they may not be the right fit for this competition, but what they do is still very valid in its own right.”

Diet Super Cr3w: The Ruggeds. Oof…I guess I should have known when they started the show out with this crew, that this week’s episode was going to be a tad lackluster. I need to remind myself that every competition reality show needs some cannon fodder for the first round, and they do seem to be placing more of an emphasis on getting acts from all over the world this season (without as much regard for whether or not they can actually hack it in this competition)…so for this act to be as underwhelming as it was, I suppose was to be expected.  I guess my biggest gripe was just how disorganized it seemed to be – the b-boying moves were decent (and I actually loved the guy in the center doing flares in slo-mo, and the ending move), but nobody seemed to care deeply about synchronization, and everything looked a bit sloppy. They reminded me of Super Cr3w from season 1 and ABDC – perhaps the early years, before they actually tightened and polished everything up.  Gut feeling is they get paired up against a better crew in the duels (maybe S-Rank?) and get sent packing.

Quickstyle, but with Robots: Elektro Botz. I liked this group, but I’m not sure I loved them – I think I was more impressed with how they sold the dance, showmanship-wise, rather than being blown away by anything specific they were doing dance-wise. They were creative and whimsical, but I have seen robotics done much more cleanly – namely by Poreotics, who we’re going to be seeing later on this season, and who have the potential to make Elektro Botz look like rank amateurs. Will the whimsy carry Elektro Botz? We’ll see.

Jaxon Willard in an Australian Suit: Michael Dameski. Not going to pretend, and you guys already know – I’m not a huge fan of contemporary dancers. So I wasn’t really expecting to be dazzled by Michael, before even seeing him dance, and there were upsides and downsides I saw to his dancing.  The upsides: I liked that he didn’t seem to revert to gymnastics and acrobatic tricks quite so much as some of the other contemporary dancers I’ve seen, and I will say that his ballet technique seems very well-honed. The downsides: he seemed a bit inorganic and clinical (as opposed to Jaxon’s more organic, emotional approach) in his dancing, and it seems like his shorter stature limits him from really extending quite as much as the more willowy Jaxon. Do I like one more than the other? Eh…I’m still not terribly fond of solo contemporary dancers, but I think I will give a slight edge to Jaxon for just being a bit more compelling to watch, where Michael can be a bit more…robotic. Not sure either one has the star-power to win this season, though.

So did you guys find yourselves a bit let down by this week as well? Or did you find yourselves impressed?

June 14, 2018 I Written By

Medical device sales by day, reality TV blogger by night. Makeup artist, baker, hair model, and wannabe DIY-er when time permits, and a potty-mouth 24/7. Read more of me at puredwts.com, and follow me on Twitter & Instagram: @putuincespence

Pure World of Dance Season 2, Week 3 (Qualifiers) – Music from Tonight’s Show

Here it is – the music from tonight’s episode, in chronological order. I’ve included a description of when in the episode it played in parentheses.

“Check It Out” by Oh The Larceny (intro)

“Something In The Way You Move” by Ellie Goulding (judges intro)

“Move” by Saint Motel (The Ruggeds intro)

“Right Here, Right Now” by Fatboy Slim (The Ruggeds performance)

“Follow Your Fire” by Kodaline (The Ruggeds scoring)

“Break A Sweat” by Becky G (Josh & Taylor intro)

“Bellyache (Marian Hill Remix)” by Billie Eilish (Josh & Taylor performance)

“Stay” by Zedd & Alessia Cara (Josh & Taylor scores)

“Get Stupid” by Aston Merrygold (Lock N Lol intro)

“Let’s L.O.L.” by LOCK ‘N’ LOL CREW (Lock N Lol performance)

“All Night (Cid Remix)” by Icona Pop (Lock N Lol scores)

“The American Dream” by The Federal Empire (Michael Dameski intro)

“Mercy” by Shawn Mendes (Michael Dameski performance)

“Dreamer (Extended Mix)” by Axwell & Ingrosso (Michael Dameski scores)

“Danza Kuduro (Official Remix)” by Don Omar feat. Lucenzo & Erick Right (LD Dance Company performance)

“Begging” by Dua Lipa (LD Dance Company scores)

“Children Of A Miracle” by Don Diablo & Marnik (Rascals intro)

“Let’s Go” by Travis Barker feat. Yelawolf & Twista & Busta Rhymes & Lil Jon (Rascals performance)

“How Far I’ll Go” by Alessia Cara (Rascals scores)

“There For You” by Martin Garrix & Troye Sivan (Elektro Botz intro)

“Fireflies” by Owl City (Elektro Botz performance)

“In My Blood” by Shawn Mendes (Elektro Botz scores)

June 13, 2018 I Written By

Medical device sales by day, reality TV blogger by night. Makeup artist, baker, hair model, and wannabe DIY-er when time permits, and a potty-mouth 24/7. Read more of me at puredwts.com, and follow me on Twitter & Instagram: @putuincespence